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Dunno

by Lorenzo Senni

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1.
Glowsticking 01:35
2.
101-103 02:49
3.
I Dunno 04:18
4.
5.
Pismo & PG 03:25
6.
Ntitled Five 01:25
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10.

about

Produced, edited, mixed by Lorenzo Senni and mastered by Marcus Schmickler, "Dunno" is the very first official release from founder of Presto!? ; his previous release "Early Works" (2007) is a collection of old re-edited tracks mainly influenced by early laptop heroes mego style.

Now with "Dunno" we have a pure computer music record where digital psychedelia meets brutal pulasr synthesis trains and sharp fm streams. built up with a double approach, "dunno", is something between vintage experimentalism of the computer music pioneers and the new digital brutality of fat, acid glissandos and shepard tones in rave style. using a large palette of computer synthesized sounds and a sophisticated musical awareness he creates ten tracks of beautiful artificial energies and abstract pleasure.

(Rolf Delly - QJ)

'Dunno' is Lorenzo Senni's 2010 album of sheer computer music convolutions, issued on his highly esteemed Presto!? label outta Milan. It's like fizzing candy for the ears; a playfully cerebral set of dynamic and pure computer music structures informed by an accelerationist's sense of digital psychedelia comparable with modern day heroes such as Goodiepal, EVOL, Hecker or Marcus Schmickler (who also mastered this album) and the pioneering, experimental spirit of early computer musicians such as John Chowning and Gordon Mumma. It's completely marvellous stuff, deliriously drunk with futurist possibility and making canny allusions to the connection between what has been perceived as "low" rave cultures and bleeding edge technology, which would be much further explored with its follow-up album 'Quantum Jelly' for Editions Mego. Highly recommended!

(Boomkat.com)

credits

released September 1, 2010

Written, recorded and produced by Lorenzo Senni
Design by Lorenzo Senni
Mastered by by Marcus Schmickler
Published by Presto!?

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Lorenzo Senni Milan, Italy

Lorenzo Senni was never a raver. Growing up, he was fascinated by dance culture as he witnessed close friends interact with a neon-hued chemical world. He inhabited the punk-hardcore local straight edge scene, a teenage drummer who absorbed the golden age of trance and gabber anecdotally. Senni was a rave voyeur, studying hedonism from a distance, fascinated by its maximalist, expressive charm. ... more

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